By Michael Edgar Myers
A few summers ago, my theatrical agent called with a wonderful performance opportunity. A holiday season show. Christmastime. Six-to-nine weeks depending on rehearsals.
Actors hear two words at such a possibility. Especially during the holidays. "Ka-ching!"
Honestly, I was more excited about auditioning than getting the job. Auditions for me, for the professional stage, had been rare in recent years. Even though the role wasn't one I actually felt qualified for (if I was directing the show, would I have call ME to read?), being asked was exciting. I was new to the agency, trying to resurrect my career in a new season of life. Landing the job may earn me more opportunities and restore confidence.
It was good to be wanted. It was better to be hired. That's how I became associated with a holiday show we lovingly called, "Broadway on a Train."
LEARN MORE: John Wesley Work & Fisk University Singers
This carol is one of 61 on the playlist of “Carol Story,” a 10-minute play that tells the story of Christ solely through lyrics of Christmas songs as dialogue. Learn More.
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Elvis was poster-child for conflicted Believers, especially those in performing arts.
The KIT 'n' Kaboodle Blog
The essays here are culled from our travels, conversations, worship experiences and discoveries.
Many are reprints from our newsletter, The KIT 'n' Kaboodle, or Facebook notes over time.
They're written by our ensemble, Garlan Garner, Michael Edgar Myers or Vikki J. Myers -- solo, or collectively.